ဖူးစာရွင္ေလး Android application

သတင္းေတြ ၊ နည္းပညာေတြ ၊ ကာတြန္း ၊ ျမန္မာအနုပညာရွင္မ်ားရဲ႕လွဳပ္ရွားမွဴေတြ model ဓါတ္ပံုမ်ား အားကစား သတင္းမ်ား တျခား ဗဟုသုတရေစမယ့္

မိစႏၵီနဲ့ အင္တာဗ်ဴး

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

Blog spot မွာ Online Web Mp3 Player ထည္႕မယ္

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured slide 4 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

This is default featured slide 5 title

Go to Blogger edit html and find these sentences.Now replace these sentences with your own descriptions.This theme is Bloggerized by Lasantha Bandara - Premiumbloggertemplates.com.

.

Friday, March 15, 2013

Adobe After Effects For Absolute Beginners

Most of my VFX tutorials are aimed at intermediate to advanced users of After Effects. While I also have an ongoing video series covering the basic concepts, I felt I was missing a tutorial for absolute beginners, for people who are just starting to use After Effects and are trying to create their first own VFX.
If you are totally new to Adobe After Effects, then this tutorial is for you :)

After Effects Basic Beginners Tutorial – How To Create Cool VFX

This blog post is a little longer than usual, but I guarantee that by the end if it you will know how to create VFX with Adobe After Effects or your money back! … yeah, this blog is totally free so there won’t be any money back, but if you do get stuck, I am more than happy to answer any questions you may have – just leave them below :)

The VFX Workflow

Visual effects are created by placing a number of visual elements on top of your footage and compositing all of the layers together into a final result.
In the age of technology and computers, we have software tools called ‘video composition programs’ to help us with this process and Adobe After Effects is on of the main programs currently used in the professional industry.
The basic workflow to create a VFX in Adobe After Effects is
  1. Import your media. This can be any number of media files including video, images and audio
  2. Create a ‘composition’ and layer your media items into the composition. You can then move the layers around, mask them, change the way they are rendered and apply all sorts of effects to blend them together nicely
  3. Export the composition into a final output file which will usually be a video, but could also be a still image

The Interface

Here is a screenshot of what you will see if you are working on a project in Adobe After Effects. Note that I am using CS6 so depending on your version, the interface may differ slightly.

1. The Project Window

The project window will show you a list of all the files you imported into your project as well as any compositions you created. You can create folders here and I do recommend that you keep your files properly organized as it can get pretty messy pretty fast, especially when you work on more complicated VFX.

2. The Timeline

The timeline displays the contents of the current composition you are working on. On the left side you can see all the layers in your composition and this is where you can manage their order and properties. On the right side you will see the life bar for each layer. This bar indicates when the layer starts and ends and you can move them around or adjust their start or end time at will :)
The vertical red line in your timeline window is the current time indicator and you can grab and drag the little triangle head to scrub through your composition.

3. The Preview Window

The preview window in the middle of the screen will show you what your composition looks like at the current time position. As you play back your or scrub through your composition, the preview window will update automatically.

4. Configurable Tool Panels

On the right side of the window you will find a number of tool panels. These can be configured and generally, you can drag any tool panel around and dock it wherever you like to fully customize your After Effects interface.
If you accidentally closed a tool panel and you want to get it back, you can simply re-enable it from the Window menu.

5. Playback Controls

One of the important tool panels is the playback panel. You can also use the space key to start or stop playback. On the right side of the playback panel is the RAM preview button.
After Effects does not play back sound by default, but you can play back your composition with sound if you use RAM preview.

6. Effects & Presets

Just below the playback panel you will see one of the most important panels of Adobe After Effects: the almighty Effects & Presets tab. Here you can find all the effects available to you as well as predefined effect templates and I guarantee you will work with this panel for almost any VFX you create.
There are a few other panels on the right side of After Effects that you will get to know over time to help you with placing text, alignment, camera tracking and more.
Let’s take all we’ve learnt about the After Effects workflow and interface an create a simple explosion VFX from start to finish.

Creating your first VFX

If you just started up After Effects or created a new project, you will see a blank workspace. The first thing we want to do is import some media so we have something to work with :)

Step 1 – Importing Media

There are 3 ways to import media into After Effects:
1. You can go to the menu bar and click on File -> Import -> File. A browser dialog will pop up where you can select one or more files you want to import.
2. You can double click into any empty space in your Project Tab. This will open the same file browser for you to select the desired files to import.
3. You can simply drag and drop any files you want to import from your standard file explorer window directly into the Project tab in Adobe After Effects.
For our first VFX, I am going to import 2 pieces of footage: a shot where I pretend (pretty badly) to be blow away by an explosion and a stock footage element of an explosion.
You can download the explosion stock footage element for free from detonation films :)
Here is a direct link to the explosion footage I used:
Detonation Films – Fireball Against Black
Once both files are imported into our project, you should see them in the Project tab. I have organised them into folders cause I’m a neat freak :D
To combine them into a cool explosion VFX we now have to create a composition.

Step 2 – Creating a Composition

Like with everything else, there is more than one way to create a composition inside of Adobe After Effects. To create a new comp, you can select Composition -> New Composition from the menu bar. You can also click on the little ‘Create a new composition’ button at the bottom of your Project tab.
After Effects will pop up a dialog where you can configure the settings of your new composition like name, resolution, pixel aspect ratio, frame rate, duration and much, much more.
Give your comp a useful name like ‘My First VFX’ so you can easily identify it.
I will leave the resolution at 1080p, the frame rate at 23.976 frames per second and set the duration to 30 seconds to match the base footage I filmed. Once you’re done, click OK to create the composition.
Note that it has been added to your Project Window next to your imported media items.
After Effects will also automatically open your new composition in the timeline window. You will see a tab with the name of your composition at the bottom of the screen. This indicates that the ‘My First VFX’ comp is currently open and we’re ready to add layers into it!
Should you accidentally close your composition, you can open it again by locating it in the Project tab and double clicking it.
To add layers into your composition, simply select the visual elements you want from your Projct Tab and drag them into the layer window on the left side of your timeline. I am going to drag my base footage as well as the stock footage explosion into my composition.
Ensure that the explosion footage sits above the base footage as layer order is important in Adobe After Effects and layers on top will obscur any Layers beneath, unless they are blended or masked out.
You can rename any layer by selecting it and pressing the enter key on your keyboard and I do suggest you give your layers useful names :)
On the right side of the timeline you can now see the life bars for the two layers, indicating where the footage starts and where it ends. You can drag these bars around at will to change the timing of your layers and you can grab and drag the sides of the bars to trim the layers either from the start or from the end.
Move the explosion to where you want your explosion to start. Keep an eye on the preview window and play back your composition (space key) to ensure the timing is ok. To remove the big ‘detonation films’ logo from the start of the explosion clip, grab the left side of the explosion layer life bar and drag it a few frames to the right to trim the frames from the start.
You can click on the explosion directly in the preview window and move it around to reposition it in the scene. You can click on the little squares on the corners and drag them to resize the layer. If you hold the shift key pressed while rescaling your layer, it will be scaled up or down uniformly.
Place the position in your scene exactly where you want it.
Now you may have noticed that there is a huge black ugly rectangle around our explosion!
Let’s get rid of it!
There are many ways to remove the black of the explosion stock footage, but since I want to get this blog post finished someday, I am going to focus on the 2 main options:
  1. Apply a ‘Color Key’ effect to the layer to make black areas transparent
  2. Change the blending mode of the layer to ‘add’
Because I want to show you how to apply effects to layers in Adobe After Effects, let’s use a color key effect to remove the black around the explosion first :)
Go to the Effects & Presets panel on the right side of the screen and search for the ‘Color Key’ effect. You can apply this effect to the explosion layer either by dragging it from the Effects & Presets panel onto your layer or, if you have your layer already selected, simply double clicking on the effect :)
You should notice that when you applied the colour key effect, the space where the Project Tab is usually displayed changed over to the ‘Effect Controls tab’.
This tab shows you all the effects and their parameters available on the currently selected layer. Currently, the black around our explosion is still visible, so let’s configure the colour key effect to remove it.
Simply click on the colour picker for the ‘Key Colour’ parameter and click on the black of your explosion! Voila! Most of the black should be gone :) However, I am also going to increase the Color Tolerance to remove as much black as I can without cutting into the explosion.
I will show you an easier and way better looking way in a moment, but I just wanted to show you how you can apply effects to your layers in After Effects. I encourage you to try out all the effects available and just play around with them and see what they do :)
I will quickly remove the colour key effect. You can do that either by clicking on the little FX icon next to the effect name to disable it or by selecting the effect in the Effect Control panel and hitting delete on your keyboard.
Now let’s remove the black of the explosion by using a different blend mode :)
After Effects supports different blending modes for layers. In the layers window you should see a column called ‘Mode’.
If you cannot see this column, you may have to click on the ‘Toggle Switches / Modes’ button at the bottom of the screen.
In the mode column, you can change the blending mode and thus affect the way the layer is blended together with the layers below it.
If we change the blend mode for our explosion layer to ‘Add’, the black around the explosion disappears and it looks a lot cooler!
Try out the different blending modes to get a feel for what they do!
Now that we have our two layers blended together nicely, we’re ready to export our composition :)

Step 3 – Exporting the Composition

Once you have completed your composition, it is time to export it.
When you export a composition, the current ‘Work Area’ defines where the export will start and stop. The work area is defined by the little bar just above the life bar section of your timeline. You can define which area of your composition to export by dragging the work area start and end indicators to where you want them to be.
Once you have changed the current work area you can also right click on it and select ‘Trim Comp to Work Area’. This will change the start and end time of your composition to match your defined work area exactly :)
To export a composition, make sure it is open, e.g. you can see an active tab with the composition name in your timeline window, and go to Composition -> Add to Render Queue.
The render queue will appear as another tab in your timeline window with your composition already added, ready for export :)
After Effects supports queued exporting of multiple items and each item can have its own settings. You can bring up the Render Settings dialog by clicking on the current render settings option. In this dialog you can configure the quality, resolution, frame rate and duration of the export.
Click on Output Module option to bring up a dialog where you can configure the output format (video or image), compression quality, resize, crop and audio options. Note that audio is disabled by default and in my opinion, After Effects is not the best tool for audio to begin with, but if you want to export your composition with audio, remember to tick the checkbox :)
Click on the Output To file name to specify where you want to save your exported composition.
Once you set all those things up, you are ready to hit the ‘Render’ button to export your composition.
After Effects will show a progress bar appear at the top of your timeline and the preview window will update continuously until the export process is completed.
Once the file has been exported, locate it on your hard drive and play back your first VFX masterpiece to your heart’s content :)
I hope you enjoyed this tutorial and feel free to leave me any questions below and I will do my best to answer all of them so you can get started creating awesome VFX in Adobe After Effects!

Sample Video

--> --> Create a free website with Weebly -->

ရင္ထဲက ခံစားခ်က္ 15.3.2013


ကၽြန္ေတာ္နားထဲမွာၾကားေနတဲ့အသံက ျမန္မာရုပ္ရွင္ကားေတြၾကည္႕ျပီး
မပီျပင္တာရယ္ နည္းပညာမေကာင္းတာရယ္ လိုအပ္ခ်က္ေတြမ်ားေနတယ္
ဆိုတာမ်ိဳးေတြနဲ႕အမ်ိဳးမ်ိဳးေ၀ဖန္ခံေနရတာေတြၾကားရျပီး ကၽြန္ေတာ္စိတ္မေကာင္းျဖစ္မိပါတယ္
2013 ဆိုတဲ့ေခတ္ၾကီး ေရာက္လာပါျပီ အိမ္နီးခ်င္းနုိင္ငံအေတာ္မ်ားက
ရုပ္ရွင္နည္းပညာေတြတိုးတတ္ေနပါျပီး ။ ျမန္မာနုိင္ငံရုပ္ရွင္ေလာကမွာ နည္းပညာပုိင္းေတြ
မတိုးတတ္ မပီျပင္ျဖစ္ေနတာကုိ တကယ္ အားမရမိပါဘူး ။ သူတို႕လုပ္သလို
ငါတို႕မလုပ္နုိင္ဘူးလားလို႕ ကၽြန္ေတာ့ကုိယ္ကၽြန္ေတာ္ေမးေနခ့ဲတာလည္းၾကာပါျပီ ။
ဒီလိုနဲ႕ ကၽြန္ေတာ္ျဖစ္ေအာင္ၾကိဳးစားမယ္ဆိုျပီး အင္တာနက္ထိုင္တုိင္း video effect ေတြ
ကၽြန္ေတာ္ေလ့လာပါတယ္ ။ ဘယ္ေဆာ့၀ဲလ္သံုးမလဲ ဘယ္လိုုလုပ္မလဲ အသံ effect ေတြ
essential movies ေတြေရာေနာက္ျပီး 3D နဲ႕ဖန္တီးတဲ့ landscape ေတြ အေဆာက္အအံုေတြ
ေနာက္ျပီး composite ပုိင္းေတြေရာ အဆံုပဲ တစ္ေယာက္တည္း ေလ့လာေနရတာ
ကၽြန္ေတာ္အရမ္းပင္ပန္းပါတယ္ ။ လူတစ္ေယာက္ဟအျမင့္ ဘယ္ေလာက္ရွိမွန္းမသိတဲ့
ေတာင္ေပၚကို ခြန္အားခ်ီ႕နဲ႕ေနေပမယ့္ ၾကိဳးစားတတ္ေနပါတယ္ ။ ဒါကလည္း ကၽြန္ေတာ္
လူမ်ိဳးေတြ ကၽြန္ေတာ့္နုိင္ငံကုိ တိုးတတ္ေစခ်င္တယ္ ျဖစ္ေစခ်င္တဲ့ စိတ္ေတြျပင္းထန္ေနလို႕ပါ ။
ကၽြန္ေတာ့ဘ၀အတြက္စြန္႕စားခန္းတစ္ခုလို႕ေျပာရမလားေတာ့မသိဘူး
ကၽြန္ေတာ္က TU ( civil Btech ) နဲ႕ေက်ာင္းျပီးေတ့ာ ရန္ကုန္မွာ Auto Cad
လာတတ္ေနတာပါ ။ အားတဲ့အခ်ိန္ေတြ video effect ေတြေလ့လာျဖစ္ပါတယ္ ။
ဒီလိုနဲ႕တစ္ရက္မွာ အခြင့္အလမ္းဂ်ာနယ္ထဲမွာ 3d profession animation  ဆိုတာေတြေတာ့
စိတ္၀င္စားသြားပါတယ္ ။ ဆိုဒ္လိပ္စာေပးထားေတာ့ ကၽြန္ေတာ္လည္း၀င္ၾကည္႕မိတာေပါ့
www.vertexanimationstudio.com ပါ ။ ဒီလိုနဲ႕ ဆိုဒ္မွာတင္ထားတာေတြလည္း သေဘာက်ပါတယ္
ကၽြန္ေတာ္ျဖစ္ခ်င္ေနတာနဲ႕ ကြက္တိလာတုိးေတာ့ တအားေပ်ာ္သြားတယ္ ။
သင္တန္းက လူ ၁၀ ေယာက္ပဲေခၚတာပါ ။ ဒီသင္တန္းကုိတတ္ျဖစ္ဖို႕ ကၽြန္ေတာ္ စိတ္ေတြ
တအားျပင္းထန္လာပါတယ္ ။ ဒါေပမယ့္ ေသခ်ာစဥ္းစားၾကည္႕ေတာ့
ကၽြန္ေတာ္က ေဆာက္လုပ္ေရးလုိင္း ခုက video editing လိုင္းျဖစ္ေနတယ္ ။
ကၽြန္ေတာ္ဘာလုပ္စားမွာလဲ တစ္ခုေတာ့ေရြးရေတာ့မယ္ ။
ကၽြန္ေတာ့္ မိဘ ကၽြန္ေတာ့္ေနာင္ေရးအတြက္ မင္းဒါနဲ႕ သြားမွာလား
စဥ္းစားစရာေတြက အမ်ားၾကီးျပည္႕ေနတယ္ ။ လက္ရွိအေျခေနက ေငြေရးေၾကးေရးကလည္း
ၾကပ္တဲ့အခ်ိန္ျဖစ္ေတာ့ပုိဆိုးတာေပါ့ ။ ဒါေပမယ့္ ကၽြန္ေတာ့္အေမက အရမ္းခ်စ္ဖို႕ေကာင္းတယ္
ကၽြန္ေတာ့္၀ါသနာကုိ အခတ္အခဲေတြၾကားကေန ျဖစ္ေအာင္လုပ္ေပးတယ္ ။
သင္တန္းတတ္ေတာ့လည္း ကြန္ပ်ဴတာက graphic ပါမွအဆင္ေျပမွာ ကြန္ပ်ဴတာလည္း
၀ယ္ရဦးမွေပါ့ ။ ဒါမွျပန္ေလ့က်င့္လို႕ရတယ္ ။ ကၽြန္ေတာ့လိုအပ္ခ်က္ေတြကုိ
အေမက ယံုၾကည္မွဴအျပည္႕နဲ႕ ကၽြန္ေတာ့္ကိုျဖည္႕ဆည္းေပးပါတယ္ ။
ကၽြန္ေတာ္ အရမ္းေပ်ာ္ေနသလို ကၽြန္ေတာ္ငိုလည္းငိုခ်င္ေနမိပါတယ္ ။
ကၽြန္ေတာ့္၀ါသနာအတြက္ ကၽြန္ေတာ့အေမ စိတ္ပင္ပန္းေနမလား ကၽြန္ေတာ္
အရမ္းေတြးျပီး ပူေနမိပါတယ္။ အေမေရ အေမ့သား အေမ့ကုိ လုပ္ေကၽြးခ်င္ေနပါျပီး .
သားေအာင္ျမင္ေအာင္ၾကိဳးစားပါ့မယ္ ။ အေမ့ကုိလည္း သတိရတယ္ ျပီးေတာ့ အမွတ္တရအေနနဲ႕
ဒီဆိုဒ္ေလးမွာ ကၽြန္ေတာ့္ရဲ႕ေန႕စဥ္ခံစားခ်က္ေလးေတြနဲ႕ အခတ္အခဲေလးေတြကုိ
ရင္ဖြင့္ေရးသားျပီး ။ ကၽြန္ေတ္ာေလ့လာေနတဲ့ နည္းပညာပုိင္းေလးေတြလည္းမွတ္သားေရးသားပါ့မယ္ ။

ရင္ထဲက ခံစားခ်က္
htun Aung Phyoe



How To Get Hit By A Car

How To Get Hit By A Car


Watch me get hit by a car!
‘ve had the idea for the intro to the ‘how to get hit by a car’ effects video in my head for a while and I’m pretty excited to finally getting it out. Learn how to create cool car hit effects in the latest Surfaced Studio YouTube tutorial :)

Adobe After Effects – How to get hit by a car VFX

Shooting the car hit

I recommend that you shoot this scene on a tripod. Unless you have an awesome stunt man you will likely need 2 shots to create this visual effect:
  • A shot of your actor walking to the spot where he will be hit by the car, then pretending to be hit by contorting his body accordingly.
  • A shot without your actor with nothing but the car driving through
You will make this effect a lot easier to create if you film this scene on a cloudy day without wind as you will avoid lighting and shadow changes as well as having to deal with swaying branches or other moving objects.
Even though I have both of these issues in my shot I decided to go with it simply to show you how you can deal with these situations :)
Place your car clip on top of the one with the actor in it and align the two clips so the car arrives at just the right moment.

Masking out the elements

Now you will need to mask out the car. Due to the shadow changes I will use 2 masks for the car, one very tight one to cut out the body of the car and another, feathered mask for the car’s shadow. You should now have a masked out car driving through your scene just in time to ‘hit’ your actor.

Covering up the actor on car hit

When the car hits the actor, we want to hide the original actor from the scene and animate a cut out of them to be shoved out of the scene.
We will do this in multiple steps, the first of which will be to cover up the actor in our base footage on car hit.
Duplicate the base footage layer, place this layer directly above and call it something like ‘cover up’. Shift it to a time where the area of impact is empty and then use a mask to cut out enough to cover up your actor. Make your cover up layer start exactly when the car hits so it looks like the impact made your actor disappear.

Creating the car hit overlay

The last thing we need to do is cut out our actor for the last few frames and animate them being shoved out of the scene by the car hit.
For this, duplicate your base footage again, call the layer ‘hit overlay’ (or something to that extent) and move it above your car layer.
Trim it down to start exactly at the moment the cover up layer becomes visible.
Time remap layer
Then, using either masks or the rotobrush tool (if you’re using Adobe After Effects CS5 or later), rotoscope out your actor.
Now animate both rotation a position of this overlay so the actor is pushed out of the scene by the car hit.

Motion blur

I like to also enable motion blur on the overlay layer to give the actor a healthy amount of motion blur when the car hits them. For this, enable the motion blur switch on the layer as well as your composition.
If the motion blur is too strong, you can tweak it by adjusting the shutter angle of the composition. You can find the shutter angle option under the ‘Advanced’ tab in the composition settings. I like to set mine to 90 degrees. If you’re not sure how this works, I have a Shutter Angle Tutorial that explains what it is and why it is useful :)
And with that, your car hit will be complete!
Happy crashin’ :)